歌手：Vladimir Horowitz
专辑：霍洛维茨: 卡内基音乐厅现场 (电视转播版, 1968.1.2 & 2.1) (Remastered)
采样率：FLAC|176.4kHz/24bit
发行时间：2023/7/19
分类：古典
专辑曲目:
1 Opening Applause (Remastered)
2 Polonaise No. 5 in F-Sharp Minor, Op. 44 (Recorded January 2, 1968) (Remastered)
3 Nocturne No. 15 in F Minor, Op. 55, No. 1 (Recorded January 2, 1968) (Remastered)
4 Ballade No. 1 in G Minor, Op. 23 (Recorded January 2, 1968) (Remastered)
5 Sonata in E Major, K.380, L. 23 (Recorded January 2, 1968) (Remastered)
6 Sonata in G Major, K.55, L. 335 (Recorded January 2, 1968) (Remastered)
7 Arabeske, Op. 18 (Recorded January 2, 1968) (Remastered)
8 Étude in D-Sharp Minor, Op. 8, No. 12 (Recorded January 2, 1968) (Remastered)
9 Kinderszenen, Op. 15: No. 7, Träumerei (Recorded January 2, 1968) (Remastered)
10 Variations on a Theme from Bizet’s Carmen (Recorded January 2, 1968) (Remastered)
11 Opening Applause to Horowitz Recital of February 1, 1968
12 Polonaise No. 5 in F-Sharp Minor, Op. 44 (Recorded February 1, 1968) (Remastered)
13 Nocturne No. 15 in F Minor, Op. 55, No. 1 (Recorded February 1, 1968) (Remastered)
14 Ballade No. 1 in G Minor, Op. 23 (Recorded February 1, 1968) (Remastered)
15 Sonata in E Major, K.380, L. 23 (Recorded February 1, 1968) (Remastered)
16 Keyboard Sonata in G Major, K.55, L. 335 (Recorded February 1, 1968) (Remastered)
17 Arabeske in C Major, Op. 18 (Recorded February 1, 1968) (Remastered)
18 Etude in D-Sharp Minor, Op. 8, No. 12 (Recorded February 1, 1968)
19 Kinderszenen, Op. 15: No. 7, Träumerei (Recorded February 1, 1968) [Version 1] (Remastered)
20 Variations on a Theme from Bizet’s Opera “Carmen” (Recorded February 1, 1968) (Remastered)
21 Kinderszenen, Op. 15: No. 7, Träumerei (Recorded February 1, 1968) [Version 2] (Remastered)
22 Short Speech
艺术家简介：
弗拉基米尔·霍洛维茨（Vladimir Horowitz,1903年10月1日－1989年11月5日）,世界最负盛名的钢琴家之一,美籍俄罗斯人。他在很早就显露出极高的音乐天赋,先后师从俄罗斯和德国演奏大师,集俄罗斯学派与德国学派之大成。1924年他到柏林、巴黎举行旅行演出,获得很大成功。1928年赴美,与托马斯·比彻姆爵士指挥的纽约爱乐合作,在布什戈尔茨钢琴上演奏出柴科夫斯基钢琴协奏曲,一举成名。他曾停止演奏达十二年之久,1965年,霍洛维茨在卡内基大厅举行重返舞台的独奏音乐会,轰动世界乐坛。霍洛维茨的演奏技巧辉煌而潇洒,音乐更趋向深刻完美,表现手段更丰富。同时,他的演奏能充分地表现出乐曲的内容,但又不是盲目地尊重原作。最难能可贵的是,他很像一位熟练的编辑,能把乐曲作者的“错别字、漏字”等失误加以订正,使作品达到完美无缺的状态。他的演奏相当广泛,尤以弹奏肖邦、斯卡拉蒂以及舒曼、李斯特、斯克里亚宾等名家的作品见长。1989年,霍洛维茨带着他可谓空前绝后的音乐演奏天赋,在纽约的家中安然逝去。